Money Shot (Hard Case Crime)
Acclaim for Christa Faust’s MONEY SHOT...
“Money Shot is a stunner, careening along with a wild, propulsive energy and a deliciously incendiary spirit. Laced with bravado and loaded up with knockabout charm, Christa Faust’s Hard Case debut is the literary equivalent of a gasoline cocktail.”
—Megan Abbott
“I was sucked into the tight, juicy Money Shot, from the ripping car trunk start to the hard-pumping climax. This novel is so convincing that you want to believe Faust has been an oversexed, naked killing machine, at least once.”
—Vicki Hendricks
“Money Shot is smart, stylish, insightful, fast-paced pulp fiction with razor sharp humor and a kick-ass heroine. Christa Faust is a super crime writer.”
—Jason Starr
“Money Shot makes most crime novels seem about as exciting as the missionary position on a Tuesday night. The results are stunning.”
—Duane Swierczynski
“Wonderfully lurid, with attitude to spare and a genuine affection for the best of hardboiled traditions. Christa Faust is THE business.”
—Maxim Jakubowski
“Christa Faust writes like she means it. Money Shot is dark, tough, stylish, full of invention and builds to one hell of a climax.”
—Allan Guthrie
“Christa Faust proves she can run with the big boys with this gritty thriller set in the darkest places of the porn industry. I loved it!”
—McKenna Jordan, Murder By the Book
“Never has an avenging Angel been sexier. Money Shot leaves you spent and wanting more.”
—Louis Boxer, founder of NoirCon
“Sam?” I called when I got to the top of the steps.
“Come on in.” Sam’s voice came from the far end of a long hallway.
There was a partially open door with a bright light inside and I walked toward it. There were no fat yellow cords duct-taped to the floor, no adjacent rooms full of giggling girls powdering their implant scars and gluing on false eyelashes. There was no one hanging around smoking or talking on a cell phone. Just that long empty hallway. I like to think I was starting to wonder a little at that point, but I didn’t leave. I just pushed the door the rest of the way open and went right in.
The room at the end of the hall was mostly empty, except for a large wrought-iron bed with a bare mattress covered in plastic. Sam stood against the far wall, beside an empty fireplace. There were two other men I didn’t recognize, but I didn’t get much of a look at them because Jesse was right by the door looking delicious, dark hair tousled and blue eyes smoldering, ready to go. He wore leather pants that hung so low on his lean hips that you would have seen his pubic hair if he hadn’t shaved it off. His sleek, lanky torso was bare and sheened with sweat that highlighted the symmetrical perfection of every muscle. He stepped up to me, gave me an appreciative once-over and smiled.
“Angel Dare,” he said. “Wow. You look amazing. This is gonna be awesome.”
Then he punched me in the face...
SOME OTHER HARD CASE CRIME BOOKS YOU WILL ENJOY:
THE GIRL WITH THE LONG GREEN HEART by Lawrence Block
THE GUTTER AND THE GRAVE by Ed McBain
NIGHT WALKER by Donald Hamilton
A TOUCH OF DEATH by Charles Williams
SAY IT WITH BULLETS by Richard Powell
WITNESS TO MYSELF by Seymour Shubin
BUST by Ken Bruen and Jason Starr
STRAIGHT CUT by Madison Smartt Bell
LEMONS NEVER LIE by Richard Stark
THE LAST QUARRY by Max Allan Collins
THE GUNS OF HEAVEN by Pete Hamill
THE LAST MATCH by David Dodge
GRAVE DESCEND by John Lange
THE PEDDLER by Richard S. Prather
LUCKY AT CARDS by Lawrence Block
ROBBIE’S WIFE by Russell Hill
THE VENGEFUL VIRGIN by Gil Brewer
THE WOUNDED AND THE SLAIN by David Goodis
BLACKMAILER by George Axelrod
SONGS OF INNOCENCE by Richard Aleas
FRIGHT by Cornell Woolrich
KILL NOW, PAY LATER by Robert Terrall
SLIDE by Ken Bruen and Jason Starr
DEAD STREET by Mickey Spillane
DEADLY BELOVED by Max Allan Collins
A DIET OF TREACLE by Lawrence Block
MONEY SHOT
by Christa Faust
A HARD CASE CRIME BOOK
(HCC-040)
First Hard Case Crime edition: February 2008
Published by
Titan Books
A division of Titan Publishing Group Ltd
144 Southwark Street
London
SE1 0UP
in collaboration with Winterfall LLC
If you purchased this book without a cover, you should know that it is stolen property. It was reported as “unsold and destroyed” to the publisher, and neither the author nor the publisher has received any payment for this “stripped book.”
Copyright © 2008 by Christa Faust
Cover painting copyright © 2008 by Glen Orbik
Author photo by Jim Ferreira
All rights reserved. No part of this book may be reproduced or transmitted in any form or by any electronic or mechanical means, including photocopying, recording or by any information storage and retrieval system, without the written permission of the publisher, except where permitted by law.
This book is a work of fiction. Names, characters, places, and incidents either are the products of the author’s imagination or are used fictitiously, and any resemblance to actual events or persons, living or dead, is entirely coincidental.
E-book ISBN 978-0-85768-392-2
Cover design by Cooley Design Lab
Design direction by Max Phillips
www.maxphillips.net
Typeset by Swordsmith Productions
The name “Hard Case Crime” and the Hard Case Crime logo are trademarks of Winterfall LLC. Hard Case Crime books are selected and edited by Charles Ardai.
Printed in the United States of America
For Richard S. Prather Words don’t die.
TABLE OF CONTENTS
Chapter One
Chapter Two
Chapter Three
Chapter Four
Chapter Five
Chapter Six
Chapter Seven
Chapter Eight
Chapter Nine
Chapter Ten
Chapter Eleven
Chapter Twelve
Chapter Thirteen
Chapter Fourteen
Chapter Fifteen
Chapter Sixteen
Chapter Seventeen
Chapter Eighteen
Chapter Nineteen
Chapter Twenty
Chapter Twenty-One
Chapter Twenty-Two
Chapter Twenty-Three
Chapter Twenty-Four
Chapter Twenty-Five
Chapter Twenty-Six
Chapter Twenty-Seven
Chapter Twenty-Eight
Chapter Twenty-Nine
Chapter Thirty
Chapter Thirty-One
Chapter Thirty-Two
Chapter Thirty-Three
1.
Coming back from the dead isn’t as easy as they make it seem in the movies. In real life it takes forever to do little things like pry open your eyes. You spend excruciating ages trying to bend your left middle finger down far enough to feel the rope around your wrists. Even longer figuring out that the cold hard thing poking you in the cheek is one of the handles of a pair of jumper cables. This is not the kind of action that makes for gripping cinema. Plus there are these long dull stretches where people in the audience would pro
bably go take a piss or get popcorn, since it looks as if nothing is happening and they figure maybe you really are dead after all. After a while, you start to wonder the same thing yourself. You also wonder what will happen if you throw up behind the oily rag duct-taped into your mouth or how long it will take for someone to notice you’re missing. Otherwise you are mostly busy bleeding, trying not to pass back out, or laboriously adding up the cables, the stuffy cramped darkness, the scratchy carpet below and the raw hollow metal above to equal your current location, the trunk of an old and badly maintained car. That’s what it was like for me, anyway.
I’m sure you’re wondering what a nice girl like me was doing left for dead in the trunk of a piece of shit Honda Civic out in the industrial wasteland east of downtown Los Angeles. Or maybe we’ve met before and you’re wondering why it hadn’t happened sooner.
My name’s Gina Moretti, but you probably know me as Angel Dare. Don’t worry, I won’t tell your wife. I made my first adult video when I was twenty, though I lied on camera and said I was eighteen. It was volume one of Marco Pole’s now-famous amateur line, Brand Spankin’ New. My scene was just one of five but there’s no question that I stole the show. What can I say? I know where my strengths lie. I had a contract with Vixen Video less than two weeks later and before I knew it I was on the Playboy Channel doing soft-focus video centerfold segments for more money than I earned in a year back home. A porno Cinderella story, but unlike so many of the girls I worked with, I was smart enough to stay off drugs, save every penny, and get out before my pussy turned back into a pumpkin.
Problem was, I just couldn’t stay retired. Like a pro wrestler or a jewel thief, I was a sucker for an encore. I had no idea when I said yes to Sam Hammer that I’d end up stuffed in a trunk.
Sam’s an old friend. One of the few genuine good guys left in the biz. Kind of a cross between Santa Claus and John Holmes. He must have been pushing sixty, burly and cheerful with a silver ponytail and neatly groomed beard. He was the kind of guy that always had a sofa to crash on or a shoulder to cry on, a loan till your next check or a guy he knew who would fix your toilet for cheap. I’d say he was like a father to me, but that would sound kind of weird since we did a few scenes together, back before he started working exclusively behind the camera. Never mind how long ago. He had been a perfect gentleman too, easygoing, respectful and reliable as clockwork. No easy feat before Viagra became the backbone of the industry, so to speak. Back when you actually had to count on feminine wiles to make the trains run on time, a man like Sam who could stand and deliver on cue was worth his weight in gold. Now you have guys popping Viagra and Cialis like tic tacs and shooting Caverject directly into the equipment to get things up and running. Better loving through chemistry.
Sam Hammer shoots were always a blast. No pressure. Sam was married to all-natural triple-D legend Busti Keaton, star of the Topsy Turvy series and Battlestar Gazongas. She would cook huge amounts of the best down-home comfort food and fuss around the set making sure nobody was too hot or too cold or uncomfortable in any way. I’ve been on plenty of jobs that were just jobs, or worse. Hammer shoots never felt like work. More like big happy Sunday barbeques where they just happened to be filming people having sex.
Sam could have easily made the jump to Hollywood. He had a great eye for composition and wrote witty, original scripts that actually kept your finger off the fast forward button. But we all knew that he would never leave the Valley. Sam was a lifer. He liked being around naked girls way too much to go legit. So many smut directors are nothing but jaded hacks who spend most of the shoot snorting lines or talking on their cell phones, but not Sam. His enthusiasm was infectious.
When he called, I was having one of those days. Those sneaking-up-on-forty days when I can’t stop looking in the mirror. Comparing what I see now to the image of that perfect, flawless little twenty year old bouncing around on top of Marco Pole for digital eternity. I’m in better shape now than I ever was, working out six days a week and kickboxing to knock out stress, but all the crunches in the world can’t reverse gravity, or crow’s feet, or the fact that I have to use the hair dye that advertises “100% gray coverage!” Don’t get me wrong, I’ve got a pretty iron-clad ego, but I run Daring Angels, a high-class adult modeling agency out in Van Nuys, and being around all those gorgeous nineteen-year-olds sometimes gets to me. Makes a girl feel like yesterday’s news.
When Sam called, I was standing in the full-length mirror beside my desk, topless and sideways. I have always been proud of the fact that I never had my tits done. I’ve seen way too many beautiful women ruined by ghastly, wall-eyed Frankenstein implants. Yet, on that day, I was hefting my assets in the palms of my hands and wondering if maybe they could use a little surgical pick-me-up after all.
I called my receptionist, personal assistant and all-around Mom Friday into my office. Didi was big back in the Deep Throat days, though if you saw her now, you’d never know it. She was fifty-two, five feet even, with a plain, sweet face like your favorite teacher, but underneath that G-rated exterior was an old-school porn veteran who talked about sex like other people talk about the weather. She had a rich, phone-sex purr of a voice and she got asked out on dates nearly every day by the men who called to book girls. More than half of the time she said yes, and though they may have done a double take when she showed up, I doubt any of those guys were sorry by the end of the night. Didi was probably the best thing that ever happened to me. I don’t even want to think about how I would have run Daring Angels without her.
She came in the door with her sparkly vinyl purse on one arm and the other arm sliding into the sleeve of her pink leather jacket.
“What’s up, boss?” she said. “I’m just out the door. Got a hot one lined up tonight.” She looked down at my exposed breasts and rolled her eyes. “Would you stop it already! You do not need a goddamn boob job.”
I grinned. “Go on, Didi. I’ll see you tomorrow.”
She blew me a kiss and split. I turned back to the mirror. I knew she was right, but still...
When I heard my phone’s electronic chirp, I jumped a little, feeling like I’d been busted somehow.
“Daring Angels,” I said.
“Angel, baby.” Just hearing Sam’s familiar growl was enough to cheer me up. “How you doing, beautiful?”
“Never better,” I replied, turning away from the mirror and grabbing my push-up bra off the back of my chair. “You?”
“The usual,” he said. “You know. Making dirty movies.”
“How’s Georgie?” I asked, holding the phone between my cheek and shoulder and hooking the bra around my ribs.
Georgie was Busti Keaton’s real name. I should have noticed the tight little pause and the pinched tension in his voice as he answered much too quickly.
“Fine, she’s real good. Listen, Angel, I got a favor to ask.”
“Anything, Sam,” I said, turning the bra around and slipping my arms through the straps, settling everything into place. I eyed my reflection. Much better.
“I’m shooting with Jesse Black,” Sam told me. “I had a new girl flake on me and we’ve only got the location for another two hours.”
I nodded and leaned over my laptop, calling up my booking calendar.
“Okay,” I said scanning the schedule. “Zandora Dior and Kyrie Li are both out of town featuring, but Sirena, Coco Latte and Roxette DuMonde are available, or I’ve got this new kid, Molly May. She’s a knockout, a legit redhead—carpet matches the drapes. Fresh, petite girl-next-door type but she also glamours up real nice. She’s only a B-cup, though. It’s not a busty line, is it? Bethany Sweet is my only current double-D and she’s booked today.”
“Actually,” Sam said. “Jesse asked for you.”
“Come on,” I said, laughing nervously and turning back toward the treacherous mirror. “Sam, you know I’m retired.”
“Angel, please, I really need your help on this. Jesse is threatening to walk out on me and I promised him I’d get him
any girl he wanted. He wants Angel Dare. He says he cut his teeth on your movies, that you were his favorite since he was fifteen.”
Now you have to realize that Jesse Black was probably the hottest new male talent in the biz. He was twenty-one, Hollywood handsome and legendary below the belt. The bluest blue eyes. Bad boy smile. More than half the women who who’d come to me looking for work in the past six months said they got into porn specifically because they wanted to work with Jesse Black. Now Jesse Black wanted to work with me.
“It’s pretty short notice, Sam,” I said, already finding my mind shamelessly wandering over the details of Jesse Black’s famous anatomy.
“No anal,” Sam replied. “Just a simple little boy/girl scene with a facial pop. I can give you fifteen and a cover. It’ll be like old times.”
I had to admit it was appealing. It’d be a phone-in, plus Jesse Black, plus helping Sam, plus an easy fifteen hundred bucks and a big fat box cover ego boost. Proof I’ve still got it. I could feel my resistance wearing down fast, but I had to keep trying.
“I don’t have a current test,” I said. “It’s been almost seven months.”
“You can just fax it in to me by Monday,” Sam said. “Look, I’ll make it two grand.”
“Sam... I...”
“Okay, twenty five, what do you say? I’m in a jam here, Angel. My last three videos tanked and if I screw this one up too, I’ll probably get shitcanned from Blue Moon. But with Angel Dare and Jesse Black on the box cover, I got a sure thing.”
He was starting to sound desperate. If it had been anyone else, I probably would have held my ground, but Sam had always been there for me whenever I needed anything. No questions asked.